I
created this notation
system based on the Indian notation system.
It can easily be read by those who aren’t
familiar with Western musical notation, and it works well for Middle
Eastern
rhythms.
The
system is based on underlines,
each underline representing one beat (see below for a more detailed
explanation)
The
Notation Key
(Updated February 2007!)

The
location of the letter on the line determines when to play it. Here is an
example of one hit per beat:
|
T |
|
K |
|
T |
|
K |
Here
are two hits per
beat. The second
letter on each line
goes on the second half of the beat, in other words, dividing it into
two. It sounds
twice as fast as the previous example:
|
T K |
|
T K |
|
T K |
|
T K |
If
the beat has three
equal letters on it, as in the following example, it is a triplet (the
beat is
divided into thirds):
|
TKT |
|
KTK |
|
TKT |
|
KTK |
Here
are four hits per beat:
|
TKTK |
|
TKTK |
|
TKTK |
|
TKTK |
Here,
each beat is divided into one half and two quarters:
|
T
TK |
|
T
TK |
|
T
TK |
|
T
TK |
The
upper case letters signify a loud hit while the lower case letters are
soft and
ghost–like:
|
D k |
|
k T |
|
k k |
|
T k |
To
get a better grasp of this system, put on a metronome at 70bpm. Tap the beats on the page
one at a time, one
beat per line at a
steady pace, NO
MATTER HOW MANY LETTERS ARE ON THAT LINE.
At the same time, read out loud what is on the lines. For example the following
example reads “Tek
Ka Tek Ka.”
|
T |
|
K |
|
T |
|
K |
T K |
|
T K |
|
T K |
|
T K |